Jim Emerson's Scanners Blog

Religion: November 2011 Archives

Goodfellas & badfellas: Scorsese and morality

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[This was originally published at MSN Movies in 2006, but MSN has taken down their archives.]

"You don't make up for your sins in church. You do it in the streets. You do it at home. The rest is bullshit, and you know it."
-- Charlie (voiceover by Martin Scorsese) in "Mean Streets" (1973)

If I do bad things, am I a bad person? Can I be a good person despite the bad things I've done? Can I compensate for the sins I commit in one part of my life by doing good works in another? Is forgiveness possible? Is redemption achievable? Or does it even matter if there's not really anyone, or anything, watching over us and keeping track?

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Those are some of the Catholic concerns that have preoccupied filmmaker Martin Scorsese throughout his career. His latest film [circa 2006], "The Departed," is based on "Infernal Affairs," a 2002 Hong Kong thriller directed by Andrew Lau and Alan Mak, about two moles: an undercover cop who has infiltrated a criminal gang, and a crook who is embedded in the police department. So, who's the good guy and who's the bad guy? Frank Costello, the gangster kingpin played by Jack Nicholson, says: "Cops or criminals: When you're facing a loaded gun, what's the difference?" And what about when you're pointing one? In the cosmic sense, we're all facing that loaded gun, and brandishing one, every day. And the difference -- if there is any -- is what Scorsese makes his movies about.

Watching certain Scorsese pictures today ("Mean Streets," "Taxi Driver," "Raging Bull," "The Last Temptation of Christ," "GoodFellas," "Casino" and others), you can appreciate the ways they both reflect and question the prevailing moral climate in early 21st-century America. It's a topsy-turvy universe in which the President of the United States himself insists that judgments about "goodness" and "badness" are not to be based upon actions, but are simply pre-existing existential conditions. Good or bad, right or wrong -- it just depends on which side you're on.

epigraphs

"One can summarize a plot in one sentence, whereas it’s fairly difficult to summarize one frame." -- Raymond Durgnat

"Young man, let me explain something to you: Every shot in a picture is the most important shot in a picture." -- Ernst Lubitsch

"I don't think you go to a play to forget, or to a movie to be distracted. I think life generally is a distraction and that going to a movie is a way to get back, not go away." -- Tom Noonan

"Cinema is a matter of what's in the frame and what's out." -- Martin Scorsese

“An idea does not exist apart from the words that express it. Style is not an envelope enclosing a message; the envelope is the message.” -- Dwight Macdonald

"There's nothing I like less than bad arguments for a view that I hold dear." -- Daniel Dennett

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