Jim Emerson's Scanners Blog

Opening Shots Project, Part 2: August 2011 Archives

Opening Shots: Memento

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From Andrew Davies:

I think the first shot of Christopher Nolan's Memento could be best described as the film in miniature because of how the subject of the shot establishes several important elements of the film. The credits begin on a dark screen. The title "MEMENTO" is still there as the shot fades in, placing the title over the image of a hand holding a photograph. Placing the title over the image of the photograph links the word and the image, telling the audience this photograph is a memento of...something.

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The photograph, which is that of a man dead on the floor, his blood on the wall and floor, establishes several important things about the film. The photograph first establishes the narrative structure of the film because as it is shaken, the picture fades instead of develops. This represents how the film begins at the end of the story and progresses, so to speak, to the beginning. The fading of the photograph also establishes the mental state of its main character, the man holding the photograph, Leonard Shelby (Guy Pearce). Like the photograph, Leonard's memory fades. He has short term memory loss, caused by an intruder who raped and murdered his wife in a home break in. His mission through the film is to find "John G," the name he gives to the intruder. The photograph, in of itself, establishes one of the ways in which Leonard tries to keep track of people and places he will forget is to take photographs of them, writing captions underneath the picture.

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epigraphs

"One can summarize a plot in one sentence, whereas it’s fairly difficult to summarize one frame." -- Raymond Durgnat

"Young man, let me explain something to you: Every shot in a picture is the most important shot in a picture." -- Ernst Lubitsch

"I don't think you go to a play to forget, or to a movie to be distracted. I think life generally is a distraction and that going to a movie is a way to get back, not go away." -- Tom Noonan

"Cinema is a matter of what's in the frame and what's out." -- Martin Scorsese

“An idea does not exist apart from the words that express it. Style is not an envelope enclosing a message; the envelope is the message.” -- Dwight Macdonald

"There's nothing I like less than bad arguments for a view that I hold dear." -- Daniel Dennett

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