I'm off to the Conference on World Affairs in Boulder, CO, (April 7 - 11) for my favorite week of the year. This week, Monday through Friday for two hours each day, I'll be leading a discussion with the audience as we go through a great movie together, shot by shot. Last year it was "Chinatown." This year you'll be shocked to learn that I've picked "No Country for Old Men." Complete schedule here. My schedule of panels, screenings, etc., here. I'll be blogging when I can throughout the week. Other panels I'm on concern abortion in popular culture, the aesthetics of brutality, train-wreck celebrities, and digital acting. I can't wait to see what we come up with!
Boulderizing
Categories:
epigraphs
"I don't think you go to a play to forget, or to a movie to be distracted. I think life generally is a distraction and that going to a movie is a way to get back, not go away." -- Tom Noonan
"Cinema is a matter of what's in the frame and what's out." -- Martin Scorsese
“An idea does not exist apart from the words that express it. Style is not an envelope enclosing a message; the envelope is the message.” -- Dwight Macdonald
"There's nothing I like less than bad arguments for a view that I hold dear." -- Daniel Dennett
recent comments
- Casper commented on Why Brad Pitt should win the Oscar: Moneyball was an okay mov
- silva commented on Why Brad Pitt should win the Oscar: Because Money Ballis a go
- Jim Emerson commented on The Artist: Everybody loves/hates a frontrunner!: Yes, I think his stubborn
- Mike F. commented on Why Brad Pitt should win the Oscar: You're right about "A Riv
- João Solimeo commented on The Artist: Everybody loves/hates a frontrunner!: Well, to ME at least it w
- Jim Emerson commented on Why Brad Pitt should win the Oscar: I liked that he made a fe
- Mike F. commented on Why Brad Pitt should win the Oscar: I also found Pitt fairly
- Jim N (Not E) commented on Why Brad Pitt should win the Oscar: All I have to do is be re
- Chalkie commented on Why Brad Pitt should win the Oscar: If Oscar hadn't lost cred
- Dave commented on Why Brad Pitt should win the Oscar: I'm always impressed with
- João Solimeo commented on Watching (and listening to) Fincher's Girl : Very interesting essay, J
- Andrew Davies commented on Why Brad Pitt should win the Oscar: I think if it wasn't for
- keith carrizosa commented on The Artist: Everybody loves/hates a frontrunner!: About why he didn't w
- Alex Murillo commented on Why Brad Pitt should win the Oscar: I thought when I saw it t
- cmilne commented on Why Brad Pitt should win the Oscar: Brad Pitt is a very rare
- Jim Emerson commented on The Artist: Everybody loves/hates a frontrunner!: It promotes the kind of r
- Brian Rose commented on The Artist: Everybody loves/hates a frontrunner!: What is comes down to for
- OMG commented on The Artist: Everybody loves/hates a frontrunner!: "Actively evil," Jim, ser
- Dennis Cozzalio commented on Come ona Tree House (of Life): Jeremy, come back! Come b
- Phil C commented on Our Father: The Tree of Life: Do you happen to know the
selected articles
- Plumbing in the Cinema
- Buster Keaton
- TwinPeaks
- Barry Lyndon
- 'Birth' of a Buñuelian Notion
- Donnie Darko
- Fight Club
- War of the Worlds
- Mind Games & Head Trips
- Politics & Movies
- Miller's Crossing
- Sansho the Bailiff
- The Coen Bros.
- Million Dollar Baby
- The Big Lie
- When Bad Movies Happen to Good People
- Munich
- Jeeem's Pantheon
- 120Favorite Movies
categories
- A Serious Man (5)
- Acting (31)
- Books (15)
- Censorship (22)
- Cinematography (9)
- Comedy (171)
- Contrarian Week (12)
- Contrarianism Blog-a-Thon (5)
- Critical Thinking (100)
- Critics & criticism (442)
- DVD (35)
- Directors & direction (147)
- Dogs (12)
- Editing (13)
- Exhibition (8)
- Extras (1)
- Festivals & events (60)
- Film noir (3)
- Funny Games experiment (6)
- Horror (57)
- In the Cut (3)
- Inglourious Basterds (10)
- Journalism (83)
- Language (31)
- Mad Men (6)
- Movies (195)
- Music (46)
- No Country for Old Men (19)
- Obits & tributes (44)
- Opening Shots Index (1)
- Opening Shots Project (87)
- Opening Shots Project, Part 2 (5)
- Oscars (37)
- Politics (121)
- Religion (45)
- Sex (26)
- Sound (3)
- TIFF 2006 (24)
- TIFF 2007 (21)
- TIFF 2008 (12)
- TV (85)
- Technology (78)
- The Biz (94)
- The Dark Knight (19)
- The Descent (4)
- The Social Network (8)
- Trapped in the Closet (6)
- VIFF 2009 (7)
- VIFF 2011 (4)
- Video essay (21)
- Writing (8)
search
tweet / facebook
recent entries
- Emotional fascism -- er, criticism
- Climb on up into the Movie Tree House!
- Trash Humpers not banned, hump trash
- National Society: The last best critics awards for 2010
- Scanners' Exploding Head Awards 2010
- Locating the difference between a good movie and a not-so-good one
- Big buttocks & curry killers: Worst of Bollywood 2010
- Making contact: Spielberg's Close Encounters and E.T.
- And the poll-winners are...
- Why Soderbergh is retiring soon
- The Ultimate Internet Commenting Guidelines
- Panahi gets six years; banned from film for 20
- Moments Out of Time 2010
- The year's beasts: MSN critics' top 10 for 2010
- LA & NY crix love The Social Network and Carlos
- Darren Aronofsky agrees with me
- My capsule review of Client 9
- The naked truth about Airport Security Theater
- Nothing is real(ism), and nothing to get hung about
- The Return of the Autobiographical Dictionary of Film
google connect
February 2012
critics
- Roger Ebert
- David Ansen
- Michael Atkinson
- David Bordwell
- Ty Burr
- Richard Corliss
- Manohla Dargis
- David Denby
- DVD Savant
- David Edelstein
- David Ehrenstein
- Scott Foundas
- Chris Fujiwara
- John Hartl
- J. Hoberman
- Richard T. Jameson
- Dave Kehr
- Glenn Kenny
- Leonard Maltin
- Kim Morgan
- Wesley Morris
- Kathleen Murphy
- Andrew O'Hehir
- John Patterson
- Gerald Peary
- John Powers
- Peter Rainer
- Jonathan Rosenbaum
- A.O. Scott
- Henry Sheehan
- Kristin Thompson
- Michael Wilmington
- Matt Zoller Seitz
blogs, journals & zines
- AltScreen
- Antagony & Ecstasy
- Art of the Title
- Aspect Ratio
- Balboa Theater Newsletter (Gary Meyer)
- Big Media Vandalism
- Breaking the line
- Cahiers du Cinema (English)
- Cerebral Mastication
- Cinebeats
- Cinema Scope
- Cinemasparagus
- Cinema Styles
- Cinema Treasures
- The Cinematic Art
- CinePassion
- coffee, coffee ... and more coffee
- The Cooler
- Discours du Cinéma
- Edward Copeland
- Elusive Lucidity
- The Evening Class
- Filmbrain
- a_film_by
- Film International
- TheFilmsaurus Film Studies For Free
- Filmsound Daily
- The Fine Cut
- Flickhead
- The Greatest Films
- Girish
- Greenbriar Picture Shows
- GreenCine Daily
- Hell on Frisco Bay
- The House Next Door
- If Charlie Parker Was a Gunslinger...
- IFC Blog
- images: a journal of film and popular culture
- j.j. murphy on independent cinema
- Kubrick Multimedia Archive
- Living in Cinema
- Aspect Ratio
- LOLA
- Masters of Cinema
- My Five Year Plan
- The Niles Files
- Not Coming to a Theater Near You
- Offscreen
- Parallax View
- Phil-zine!
- Press Play
- Reverse Shot
- Rouge
- Screenville
- Senses of Cinema
- Sergio Leone and the Infield Fly Rule
- The Seventh Art
- The Sheila Variations
- Shoot First, Mumble Later
- Sight & Sound
- Silly Hats Only
- sixmartinis and the seventh art
- Spectacular Attractions
- Strictly Film School
- Offscreen
- Tales of OdieNary Madness
- They Shoot Pictures, Don't They?
- Vinyl Is Heavy
- Undercurrent (FIPRESCI)
- when canses were classeled...
2 Comments
How does one go about being in attendance for these seminars of yours, Jim? Is it Colorado denizens only, Colorado students? It sounds like it takes place on a campus: UMC West Ballroom, Old Main Chapel, etc. Does one make reservations? Did you go this year in place of Roger Ebert?
Jim - is there going to be a transcript available of the NCFOM sessions?
Leave a comment