From my review of "Into Great Silence" at RogerEbert.com:
We get a lot of movies about noise these days: gunshots, screams, explosions, fist thunks, thunderous roars, revving engines, squealing tires and those deafening sonic swooshes that accompany nearly every corporate logo before the feature even gets started. But we don't experience many moments of silence at the movies (and I'm not just talking about the audiences). "Into Great Silence," though devoid of narration, musical score or much at all in the way of dialogue, encourages us to listen closely: to the sound of snow falling in the mountains, a nocturnal prayer whispered in a small wooden cell with a knocking tin stove, a bell rope pulled in a chapel. Nobody yells. Nothing detonates.
The images also open up to us gradually and quietly. We're not bombarded with fusillades of shots: "Look at this! Now this! Now this!" "Into Great Silence" unfolds with its own gentle, unforced rhythms, designed, as German filmmaker Philip Groning has said, to be less a "documentary" than a meditation.
Groning spent six months living with the monks of the eremitical Carthusian order at the Grand Chartreuse Charterhouse, or monastery, in the French Alps. He brought with him only a camera and basic sound equipment -- no crew, no lights -- to capture the daily lives, prayers and routines of this most ascetic of Catholic orders, which was founded by St. Bruno in 1084. The monks, who have taken a vow of poverty, subsist on very little. They pray aloud at times and sing solemn Gregorian chants, but they rarely speak, except on their Monday walks. If cinema had existed more than a thousand years ago, this is quite like what it may have recorded.
I must confess my fondness for contemplative movies of this sort. The less frenetic onscreen activity you are forced to endure, the more you're able to notice. And the form of "Into Great Silence" is ideally suited to its subject. The monks lead a regimented existence (you can see a typical weekday schedule, and learn about their history, at their official Web site, www.chartreux.org), but time is allotted for the introspection and reflection that are essential to their devotion. You're given the opportunity to contemplate details, including ones you may overlook in the rush and routine of your own everyday life.


















Jim Emerson,
In your post "Silence of the Monks" you have written about Silence, gentle sounds, slow visuals/ words, Meditation and Contemplation in the film as opposed to Noise, Fast Visuals, Fast Speech and Special Effects in modern films. In this context I want to post a part from my article which examines the impact of speed, overstimulation and industrialization on our minds and environment. The article also explains why visuals and words are slow in Tragedy Films. Please read.
The link between Mind and Social / Environmental-Issues.
The fast-paced, consumerist lifestyle of Industrial Society is causing exponential rise in psychological problems besides destroying the environment. All issues are interlinked. Our Minds cannot be peaceful when attention-spans are down to nanoseconds, microseconds and milliseconds. Our Minds cannot be peaceful if we destroy Nature.
Industrial Society Destroys Mind and Environment.
Subject : In a fast society slow emotions become extinct.
Subject : A thinking mind cannot feel.
Subject : Scientific/ Industrial/ Financial thinking destroys the planet.
Emotion is what we experience during gaps in our thinking.
If there are no gaps there is no emotion.
Today people are thinking all the time and are mistaking thought (words/ language) for emotion.
When society switches-over from physical work (agriculture) to mental work (scientific/ industrial/ financial/ fast visuals/ fast words ) the speed of thinking keeps on accelerating and the gaps between thinking go on decreasing.
There comes a time when there are almost no gaps.
People become incapable of experiencing/ tolerating gaps.
Emotion ends.
Man becomes machine.
A society that speeds up mentally experiences every mental slowing-down as Depression / Anxiety.
A ( travelling )society that speeds up physically experiences every physical slowing-down as Depression / Anxiety.
A society that entertains itself daily experiences every non-entertaining moment as Depression / Anxiety.
Fast visuals/ words make slow emotions extinct.
Scientific/ Industrial/ Financial thinking destroys emotional circuits.
A fast (large) society cannot feel pain / remorse / empathy.
A fast (large) society will always be cruel to Animals/ Trees/ Air/ Water/ Land and to Itself.
To read the complete article please follow any of these links :
PlanetSave
ePhilosopher
sushil_yadav
That's a wonderful summary, sushil_yadav.
I always recall a bit of dialogue from "Before Sunset," in which Julie Delpy's character talks about how, after spending a few weeks away from the gluttony of advertisements and information of the "civilized" world, she began to think things and feel feelings she'd have never been able to otherwise. It's no coincidence, I think, that it is a movie that always helps me to slow down and appreciate the gaps, and more than once that very movie has helped me reach personal moments of astounding enlightenment - the kind that take your breath away and make time literally stop for a few moments.