Chicago Sun-Times
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Rolling Stones make a convincing case against retirement

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The Rolling Stones perform Tuesday night
at Chicago's United Center.
(Tom Cruze/Sun-Times)

Late last year, on the occasion of their 50th anniversary concerts in London and New York, I wrote of a Rolling Stones revelation. No more would I sneer at the batty old boomers and advise them to finally, at long last, for the love of all that's holy, please retire. Soldiering on as raucous rock 'n' rollers well into their unimagined, unnerving age, I said, could be their last, great rebellious act.

Emerging from Tuesday night's concert -- the first of three this week at Chicago's United Center, continuing Friday and Monday -- I remain convinced. The Stones are a bit worn and predictable, but they should absolutely rock until they drop.


• 8 p.m. May 31 and June 3
• United Center, 1901 W. Madison
• Tickets: $250-$600; (800) 745-3000;

The current tour is titled "50 and Counting," indicating a continued future instead of a farewell. Tuesday night's show -- not sold out, with occasional patches of empty seats throughout the arena, no doubt due to absurdly high ticket prices -- found the band careening through a mostly wild but sometimes woolen two-and-a-half-hour set. They stumbled, they fumbled, Keef mumbled, but they still managed moments of serendipity and spark amid all the sodden nostalgia.

For an arena go-round, this Stones outing is a stripped-down affair -- the four principals plus bass, keys, backup singers and a couple of occasional horns -- with little flash jumpin' on stage aside from a large video screen and a basic light rig. No props, no inflatables, nothing to distract fans from the grooves laid down by four consummate pros. This is roots rock in its superb and often sloppy glory.

Opening with a stomping "Get Off of My Cloud," Mick Jagger began his considerable self-parody -- pouting, clapping, shaking his stick-thin excuses for hips -- while guitarists Keith Richards and Ron Wood warmed up, playing the first several songs as if they were emerging from amber. Some soul came together in "Gimme Shelter," featuring Jagger pairing with backup singer Lisa Fischer for some "Proud Mary"-like duet sass. But the groove finally locked in during, of all songs, "Emotional Rescue," with Richards and Wood braiding their parts on the bridge and letting Chicago bassist Daryl Jones drive the disco.

Then the roller coaster. Highs: Jones' hot-walking bass solo in "Miss You," the Midwestern crowd going wild for "Honky Tonk Women," the new "Doom and Gloom." Lows: the fumbling of "Tumbling Dice," the fan-requested selection turning out to be "Rocks Off" (really, people?), the new "One More Shot." An extended jam through "Brown Sugar" was a thrilling high near the end, and should have been the end. But an anemic "Sympathy for the Devil" followed, with Jagger fluffing around in a campy feathered cape and Chuck Leavell's oddly jaunty piano draining the song of every drop of menace.

Two moments were extraordinary. First, while Jagger took a break from flapping his limbs and lips, Richards and Wood stepped forward for a handsome acoustic rendition of "You Got the Silver," with drummer Charlie Watts applying brushes to color in the mood. Second, prodigal guitarist Mick Taylor joined the band for a sprawling, voodoo-séance version of "Midnight Rambler." While Jagger strutted the stage, Taylor, soft and wrapped in a showy scarf, played with a cool detachment but played so bloody well. As he finished, Richards put his arm around him; Taylor kissed his cheek.

At each tour stop thus far, the Stones have brought on special guests mid-show. All of them have been pop figures -- Carrie Underwood, Dave Grohl, Katy Perry, even Lady Gaga. In the city whose blues influenced the band possibly more than anything else, thank heavens Tuesday night the guest was Taj Mahal for a driving boogie through the classic country blues "Six Days on the Road."

Decades ago, the Stones looked to the elder bluesmen of Chicago -- aging, some forgotten, some broke -- as initial inspiration for their new music. Now the wrinkled rockers are elder statesmen themselves, retreading and reviving a catalog of formidable hits. The world will be less when they're gone, so here's to keeping them propped up.


The Rolling Stones' Tuesday night set list:

"Get Off of My Cloud"
"It's Only Rock 'n' Roll (But I Like It)"
"Paint It Black"
"Gimme Shelter"
"Wild Horses"
"Rocks Off"
"Emotional Rescue"
"Six Days On The Road"
"Doom and Gloom"
"One More Shot"
"Honky Tonk Women"
"You Got the Silver"
"Before They Make Me Run"
"Midnight Rambler"
"Miss You"
"Start Me Up"
"Tumbling Dice"
"Brown Sugar"
"Sympathy for the Devil"
"You Can't Always Get What You Want"
"Jumpin' Jack Flash"
"(I Can't Get No) Satisfaction"

More photos from Sun-Times photographer Tom Cruze:







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Did the Stones play a small venue in Chi last night 5/28/13?

The Rolling Stones is getting beter and better with age, besides there's no credible succesors in rock n' roll these days. Visit my Twitter @AT_Nguyen_Huynh

Tickets: $250-$600 holy @#$%^ I'm I suppose to snort them ?

Tom Waits, not exactly a pop princess, sat in with the band at their Oakland show.

What is this guy talking about when he says "really, people" in regards to Rocks Off? Is he saying "I dont like that song personally so therefore the people who voted for it are idiots"? That's an incredible song and I can't imagine any of the other choices being any better than that. On top of that, it's a very uncommon song for them to perform. They've played it less than 200 times live in their entire career. I'm sorry, but I just hate it when critics forget the difference between fact and personal opinion.

It was another great show


from all that fun and money

no way

I wouldnt

Did you tell Tom Cruze you'd be firing him before you sent him to this concert to take nice photos? Do you realize how much these nice photos add to the story? Can you comprehend just how monumentally stupid you people are for firing your entire photography staff? Do you understand that people won't want to read your stupid newspaper if it doesn't have the caliber of images in it that we see now? Greed never leads to quality. The Sun-Times ought to be ashamed of itself.

I was at the Friday, May 31st concert and I believe it is the best concert I have ever seen. The guys were unbelievable. I can't believe how Mick can move! and so fast! and for so long!!!!! All the guys looked very buff. I was disappointed when I first went to get tickets and was offered section 108, row 1 at &699.25/ticket!!!!!!!!! I had to settle for section 308, row 2. Is that The Rolling Stones doing or United Center? I heard the tickets were a lot cheaper in LA. Why so expensive. Soldier Field was only about $120/ticket and we had great seats. At any price I was so glad I went. It was the concert of the year, and for me of my life. I was in section 308, nearly centered. When Mick and Keith came out on the tongue stage to do their rounds I took some good pictures with my Canon 300mm camera. Mick and Keith are in decent focus, but the people in the tongue pit are in focus too. So if you were giving Mick the 'hand-ten' sign as he went by you, I have a great picture you will definitely want. If I were down in the tongue arena and someone from up above had a shot of me with Mick Jagger right above me, I would want the picture. Leave a message if you were around the back edge of the tongue stage. I have some great photos. peace

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Thomas Conner

Thomas Conner covers pop music for the Chicago Sun-Times. Contact him via e-mail.


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This page contains a single entry by Thomas Conner published on May 29, 2013 1:03 AM.

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