Thursday night SXSW showcase. (Michael Jackson/For the Sun-Times)
AUSTIN, Texas -- "The new record is probably going to freak some people out," said Wayne Coyne. "It is, on purpose, not a hopeful record."
He's talking about "The Terror," the Flaming Lips' new nine-track album due in late April, and as he does it's easy for him to get a little heavy.
"There are things we have to face as human beings, truths we must explore," Coyne says. "'The Terror' is a certain kind of terror, an uncanny sort of break in nature or your own life. It's not an insane, monster terror. It's the terror of realizing that love isn't the magic bullet. We all wake up with dread of the unknown. It's not about fear of dying, but about the fact that we just don't know what's going to happen anywhere, anytime."
We were sitting in a makeshift green room, a tent in a parking garage behind the venue where the Flaming Lips would perform later Thursday night. Not that parking garage. During SXSW '97 nearly 2,000 people crammed into the second level of a downtown garage to hear Coyne's Car Radio Orchestra, an experiment involving 28 vehicles. Coyne gave each driver a pre-mixed cassette and instructed them to press play and blare the music on cue. Soon, soothing synthesizer parts were swelling from various auto systems, with surreal samples and female orgasm sounds. It was an experiment; one car blew a fuse.
"The cops nearly shut us down," Coyne recalled.
Thursday night the Flaming Lips played a more intimate showcase -- no confetti, no costumes, thankfully no big plastic ball -- performing the whole of their 2002 album "Yoshimi Battles the Pink Robots." The show was packed -- so much so there was still a line down the block when it was over.
Friday night, though, they'll be unveiling the new music in a free show at the Auditorium Shores amphitheater here.
"We keep saying this is the most depressing but life-affirming music we've ever done," Coyne said.
Coyne is also in town this week to promote a film, "A Year in the Life of Wayne's Phone," which had its world premiere Wednesday night at SXSW. The film is a collage of clips Coyne shot with his iPhone.
"I didn't do this on purpose," Coyne said. "I take so many videos, and my computer guy is always having to empty them off my computer to make room. One day he said, 'We should a movie of these.'"
Since Coyne shot nearly all the videos in vertical portrait mode rather than the usual horizontal scale, the film features three clips lined up, each running simultaneously. The clips range from interviews, shots of friends (look for Yoko Ono and Rivers Cuomo!), cute animals, the USB skull and Coyne crowdsurfing. The viewer's attention is directed by bringing up the audio on a certain clip, but it's still a disorienting challenge to take it all in.