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Pitchfork Day 3: Lady Gaga and Kendrick Lamar

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p4klamar.JPG p4klady.JPG

Rapper Kendrick Lamar (left) performs Sunday at the Pitchfork Music Festival
in Chicago, while visiting Lady Gaga (right) looks on.
(Tom Cruze/Sun-Times)

Straight outta Compton, rapper Kendrick Lamar earned a huge crowd at Pitchfork's smaller Blue stage on Sunday. Were they all drawn by Lamar's hard-as-nails flow? Not quite.

Lady Gaga was there to see him.

You read that right. Lamar, you see, keeps excellent company.

He's not a newbie, either. He started his career as K. Dot, making three mixtapes under that name. Now rechristened, Lamar has Snoop Dogg singing his praises and Dr. Dre signing him to his label. (Lamar even has allegedly contributed to "Detox," Dre's now-legendary third album that's been in the works for 11 years.) Pitchfork fans can appreciate that he recently performed a concert with Best Coast.

The Lady and Lamar somehow became friends, and Gaga tweeted about him last week ("What a sweetie calling me this morning to see how I'm doin"). In a move smacking of marketing machinations, Gaga swung through Chicago to play tastemaker.

During Lamar's set, Gaga danced on the side of the small stage under the trees, surrounded by her entourage (which included a beefy fellow waving photographers away). Twitter nearly burst into flames with anticipation of her joining him on stage, but the pairing didn't happen.

Which left us Lamar by himself. Frankly, that's a bit of a letdown. Hitting the stage 15 minutes late, Lamar spent much of his set freestyling -- impressively, with an appealing and gravelly street-preacher flow, but he seemed to be doing it most often because his lame, distracted DJ wasn't backing him up. "Hol' Up" is an easygoing reflection built atop some chill Herb Alpert-like horn samples, but after that we got a ride on the cliché train. Leers about sex and alcohol, demands for noise-making and hand-waving, comparisons of himself to Martin Luther King Jr. -- by the end of Lamar's set, Lady Gaga would have been a comparable injection of humility.

But she just leaned on the railing, in a black bustier and some heavy jewels. All dressed up, and she didn't go anywhere.

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Thomas Conner

Thomas Conner covers pop music for the Chicago Sun-Times. Contact him via e-mail.


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This page contains a single entry by Thomas Conner published on July 16, 2012 12:35 AM.

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