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Power pop @ SXSW: Big Star tribute, dB's reunion

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AUSTIN, Texas -- At the 2010 South by Southwest music conference, critics and fans were eager for a scheduled celebration of the '70s band Big Star. The influential pop-rock band was at the height of a popular resurgence, fueled in part by a stellar box set ("Keep an Eye on the Sky") released the previous year. A panel session was planned, a hotly anticipated concert, too. But on the first day of the festival, bandleader and power-pop icon Alex Chilton died.

The pieces of those plans were reassembled in earnest Thursday night at SXSW 2012. In a star-studded concert -- featuring a pantheon of alt-rock greats including R.E.M.'s Peter Buck, Wilco's Pat Sansone, Tommy Stinson, Peter Case, Chris Stamey, Ken Stringfellow, Jon Auer, M. Ward and many more, plus Big Star's lone survivor, drummer Jody Stephens -- musicians inspired by the band, complete with a 12-piece orchestra, performed the whole of Big Star's "Third," their emotionally tangled and rightly acclaimed album recorded in 1974 and released by 1978.

Stamey -- also appearing several times at SXSW this week with the reunited dB's (see below) -- has made these "Third" gigs into something of a pet project, performing them a few times ahead of the festival. But Thursday's gig, back in something of an emotional center for the band and its fans, resonated with obvious love from the musicians, especially a smiling Stamey, who never sang but acted as bandleader.

Mixing up the album's various sequences, the show opened with M. Ward on piano meandering through Eden Ahbez's "Nature Boy," an outtake from "Third." Players and singers then started cycling behind the microphone. British pub band the Dunwells delivered "Take Care" with Irish balladry and an accordion. The Mayflies' Matt McMichaels lead a steady "Jesus Christ." Auer, who had joined a revived lineup of Big Star, drove slowly through "Black Car," fueled by the string quartet.

Standouts included Stinson, formerly of the Replacements, redeeming himself with a solid version of "Nightime." Watching him in his skinny plaid suit and hipster hat, one could almost forget he now slums in the reconstituted Guns N' Roses. Peter Case, once a svelte New Wave rocker in the Plimsouls, appeared shaggy and bearded and did his best Van Morrison impression through "Stroke It Noel" (Stamey's smile was a thousand watts through that one). Sansone's "You Can't Have Me" was powerful even without the wailing saxophone and the two drum solos from Stephens.

Stephens himself stepped out from behind the kit to sang a couple of songs, including a string-laden "Blue Moon" beautifully arranged with a Pachelbel's Canon sway.

R.E.M.'s Mike Mills originally was scheduled to be on stage for the show, but he canceled due to illness. The former band's guitarist, Buck, appeared instead. He merely lurked in the background for two songs, the cover of the Velvet Underground's "Femme Fatale" and "You Can't Have Me."

The show closed with "Thank You Friends," featuring most of the cast back on stage, like a traditional "This Land Is Your Land" folk finale.

The Big Star concert followed a screening of a documentary, still in progress, called "Big Star: Nothing Can Hurt Me" from director Drew DeNicola.

* * * * *

Stamey's a busy boy at SXSW 2012. In addition to corralling that large cast of players for the Big Star tribute, he's got his own showcase on Saturday, plus he and the reunited dB's are scheduled six times here this week.

Wednesday afternoon was their first showcase, on the Dogwood patio on West Sixth Street. Featuring originals Stamey, singer-guitarist Peter Holsapple and drummer Will Rigby, plus acclaimed Southern producer and artist Mitch Easter on bass, this latest revival of the beloved '80s power-pop group is hawking a new album, "Falling Off the Sky," due in June.

They utilized their showcase to show off many of the new tracks -- as jangly and tuneful as ever. Holsapple insists the new album is "a great summertime record," and as he sang the new "World to Cry," a wind-blown tree in the courtyard approved by showering the tightly packed audience with new buds.

It's not all sunshine and tanlines. Another new song jangled over a martial rhythm and lyrics of lament and paralysis. Stamey remarked, "On my tombstone, I want, 'He wrote one great riff.'" Then he added, "Plus a lot of depressing songs." He then ripped a scary, dissonant solo from the heart of "Happenstance," which the band balanced with the gentle waves of melody in "Love Is for Lovers."

Their official showcase is tonight.

* * * * *

Fast forward to the 21st century: Power-pop rocker Brendan Benson was back on stage as a solo act Thursday night. Jack White's partner in the Raconteurs, Benson funnels most of his melodic talents into his solo albums. He has yet to make a bad one, and his next, "What Kind of World," is due in April on his new independent label Readymade.

His Thursday showcase wasn't as flawless as his records. Stringy-haired and a little adrift, Benson charged gamely through some new songs, though one had to be abandoned after the first verse; he tried to restart it, but flubbed something again and moved on into a duo of the Raconteurs' "Hands" and his own "Cold Hands (Warm Heart)" (in which he laments, "Why does it always happen...?").

... and there's more SXSW 2012 coverage here!

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Thomas Conner

Thomas Conner covers pop music for the Chicago Sun-Times. Contact him via e-mail.


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This page contains a single entry by Thomas Conner published on March 16, 2012 10:32 AM.

SXSW keynote: Bruce Springsteen gives musical history lesson, celebrates Woody Guthrie centennial was the previous entry in this blog.

SXSW: Fiona Apple's splendid case of nerves is the next entry in this blog.

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