Ezra Furman's last gig in Chicago was as unexpected as one would expect, at least from this quixotic local character. He headlined last Friday's Flesh Hungry Dog Show bill at the Jackhammer, a cozy Rogers Park gay bar.
Maybe not as unexpected to fans -- after all, among the many different people Furman makes out with in this year's video for "Bloodsucking Whore" (below) is Gary Airedale (G. Thomas Ward), Flesh Hungry's creator -- but still not a traditional venue for his barking, rootsy, ever-more-frequently rockabilly-influenced songs. "I don't know how this looks up here to you out there," Furman said Friday from the Jackhammer stage, typically wild-eyed in his light yellow duster, "but it feels all right to me."
That was the last time Chicagoans will see Furman for a while. He plans to wrap up the recording of his first solo album (funded by fans) in Chicago during the next couple of weeks, and by the end of the month he'll be a San Franciscan.
I caught up with him Wednesday afternoon before he returned to the studio. (Also read our chat from earlier in the year, on the release of his third album with the Harpoons, "Mysterious Power.")
Some snatches from our conversation:
Q. You're always a bit edgy on stage, but you seemed more nervous than usual [Friday night].
A. I haven't played that often by myself. I'm still working through the possibilities. I was a little bit nervous.
Q. It's always nice to see you singing like Buddy Holly about Buddy Holly.
A. I've been doing a lot of rockabilly songs when I do shows by myself. I like to explore the intersection of my influences. Music journalists know about my influences usually before I do. I usually don't know who I'm influenced by till I read the article. I've heard about a lot of bands I really like from people who see my shows. I was 15 and people would come up and say, "So you're a Violent Femmes devotee?" I was like, "Who?" Or the Modern Lovers. Our manager couldn't believe we'd never heard of the Modern Lovers. He said, "I thought you were trying to do that."
Q. So why San Francisco?
A. A few reasons. Mostly, you know, these songs, all these women's names -- "Wild Rosemarie," "Portrait of Maude" -- these names of women. Well, now I'd like to refer to one real person who's going back to San Francisco to get her Ph.D. I'm going to follow her.
Q. Is she aware of this?
A. [Laughs] Yes, she's invited me. I'm accepting.
Q. San Francisco's nice. Good music, good punk.
A. I was just buying a ticket to this one band's concert there. Their being from San Francisco also actually factored into my decision to go there. They're called Girls. Their first album in 2009, it hit me like a sack of cement. They're my favorite band now.
Q. So you'll finish the solo album here and then take it with you?
A. I have to finish before I go. It's well on its way now. Being as the band is not involved, it's a very different experience to me. I'm totally masterminding every decision. I'm rounding up musicians who play instruments I've never played along with before, like double bass and there's some saxophone coming.
Q. Maybe you'll self-release it from the West Coast?
A. Maybe. I might just see who's interested among labels I think are cool. I feel pretty empowered about it, though.
Q. I imagine, after doubling your fund-raising goal on Kickstarter.
A. I had no idea if that would be successful at all. I reached my $4,000 goal in three days. Over the next 30, it doubled. It's really helped.
Q. Is solo the way ahead?
A. Well, before you ask: the [Harpoons] are not broken up. We're in sort of a waiting period. ... We'll likely make another album as a four-piece band.
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