BY THOMAS CONNER Pop Music Critic
In our interview before the band's Lollapalooza debut, former Clash guitarist Mick Jones said the world had not, indeed, been clamoring for a reunion of his post-Clash band, Big Audio Dynamite -- but they haven't minded it, either.
This unlikely but potent collaboration between Jones and filmmaker Don Letts started in 1984 and took the world grooves the Clash had begun to explore, pushing them further while also working open-mindedly with sound samples and video visuals. If that sounds pioneering, go figure - from yesterday's MTV to today's YouTube -- it might have been. Because B.A.D. sounded very fresh, and very good, during their Saturday afternoon concert here.
What sounded a wee bit gimmicky in the mid-'80s -- the film dialogue samples, the sound effects (ricocheting bullets and wailing sirens), the synthesized beats -- are now perfectly natural to contemporary ears. I'd forgotten what a Wild West fixation these Brits had, still on display: They opened with whistling western movie music, and shouted "Rawhide!" after Jones' ADD guitar solo in "B.A.D."
The other reason people might not mind the return of B.A.D. is because the band's socially conscious songs, written during the Reagan and Bush administrations, alas, still speak to economic inequality and class conflict. Saturday they sounded positively prescient, singing, "Nation's economy's on a downward slide / On the best course of action no one can decide." That's from 1985. But they also debuted a new song, "Rob Peter, Pay Paul," which Jones introduced this way: "Our current global financial meltdown is explained in three and a half minutes." Sample lyric: "Where is the justice? What happened to the law?"
It was a surprisingly jangly song for this, the band that finds a groove and works it - usually for much longer than three and a half minutes. The opening "Medicine Show" (on which drummer Greg Roberts wasted no time attacking his cowbell), "A Party" (featuring Letts breaking out from behind the keys and deliver some fiery toasting), the closing "Rush" - these are songs with eternal grooves, lasting five minutes or more. They milked the signature riff of "The Bottom Line," teasing it like they were making a live 12-inch mix.
What will come of it? Jones and Letts said they don't know yet. Maybe a new album - they did play the new song, which is one more than most reunited bands manage (ahem, the Police) - but certainly more reissues.