BY THOMAS CONNER Pop Music Critic
Lollapalooza opened Friday morning with an announcement about more Lollapaloozing to be had worldwide next year -- the festival will return to Chile (March 31-April 1) and add a new event in Sao Paulo, Brazil (April 7-8) -- and then quickly moved to Britain as the Vaccines christened this year's main stage in the south end of Hutchinson Field.
Supporting their super-hyped debut, "What Did You Expect From the Vaccines," the Vaccines turned over the same well-tilled ground -- lots of post-punk revival with tons of reverb and Strokesy confidence -- but sounded fresher and cockier than they do on record. Singer Justin Young comes on quickly with a Dylanesque whine over his band's retro Walkmen grind, advocating for emotional destruction in "Blow It Up" and a quickie in "Post-Breakup Sex." The band's heap of influences seeped deeper than expected, too; for "Wetsuit" guitarist Freddie Cowan and the rhythm section chugged along simply like the Crickets, and Young encouraged dancing, saying, "This is one you can dance to. You're at a rock and roll show, remember." Anything to help clear away some of the band's studied self-consciousness.
When the Naked & Famous started playing at the other end of the south field, one fan shouted, and seemed sincere, "Oh, yay, another British accent!" That would be the buoyant Alisa Xayalith, leader of the festival's first '80s-inspired offering. Full of humming synths and buzzing guitars, all propped up by hard drums and loops, this New Zealand quintet took its time whipping up a melodious melodrama. "All of This" and "Punching in a Dream" opened the set establishing the template: Gothy pretension but irresistible tunes, sometimes building up one and tearing down the other. (They, too, suffered some equipment-related pauses on the same stage that dogged Wye Oak's earlier set. "Just fixing some broken sh--," Xayalith assured during a long break.) I'll call them Katrina & the Darkwaves.