BY THOMAS CONNER Pop Music Critic
If you looked around Lollapalooza just after 4 p.m. Friday and wondered where all the teenagers had gone, a large crowd of them were crammed in front of the BMI stage watching fellow Chicago teens Kids These Days.
Easily one of the best shows I saw all Friday, Kids These Days is an eight-piece group comprised of 18- and 19-year-olds, half of them from Whitney Young High School. Mixing up blues, hip-hop, funk, rock, jazz and most other genres except electronic (but give them time), KTD has come up through the ranks during the last two years. They started selling out small clubs, then filled Metro, played a buzzworthy showcase at South by Southwest last March, and now here they are at Lollapalooza. The meteoric local rise, based on the sheer energy of their performances and a pretty potent musical cocktail, should have drawn the attention of any music industry moguls present.
Friday, though, was a hometown celebration.
KTD charged on stage with enough energy for the rest of the day's lineup. Rapper Vic Mensa lead the charge, biting off rhymes with a clenched jaw and leaping around the small stage pumping up the crowd, salted as it was with adoring friends, family and classmates. Fans were crowd surfing almost immediately, and Mensa and others tried their hand at stage diving.
Mensa has no fear of Lollapalooza-related injuries. He tried to attend the festival last year -- by sneaking in. He jumped a fence near the Metra tracks, but brushed against an electrical transformer. He not only took several thousand volts through his left arm, he fell 30 feet to the pavement and spent three days in the hospital. "I almost f---in' died trying to sneak in here last year," Mensa told the crowd. "This is way better."
The unfettered mashing up of genres KTD pulls off is truly heady. They mix together everything great about Chicago's musical roots. Guitarist Liam Cunningham will lay down a blues riff, the horns will pop in with some kind of syncopated ska, the rhythm section backs it up with some slinky rock-soul, all the while Mensa is bounding around like Tigger the Creator. With remarkable compositional and performance skill, they blended "Summertime" into James Brown's "Man's World," threaded by Mensa's rhymes ("You're like a blood transplant and you're just my type"). Their repertoire of classics is broad, though: the horn section snuck in the riff from Radiohead's "Creep."
Effervescent, exciting stuff. The results are positively funkadelic. This band could open for Ozomatli as easily as Steely Dan. KTD has an EP out now, "Hard Times," available on iTunes. A full-length is in the works.