I'm not a f---in' role model
I'm a 19-year-old f---ing emotional roller coaster with pipe dreams
These motherf---ers think I'm supposed to live up to something?
-- Tyler the Creator in "Goblin"
They've been called "the future of the music business" for their freewheeling, Internet-based approach to recording and distribution. They've also been called "inexcusable," "reprehensible" and "dangerous" for lyrics that are frequently violent, misogynist, anti-gay and anti-police. They're called OFWGKTA (Odd Future Wolf Gang Kill Them All), and they're a large, young hip-hop collective that's become one of the most divisive topics in music.
Odd Future, scheduled to perform July 17 at the annual Pitchfork Music Festival, has turned heads with some of the freshest sounds in hip-hop, heard mostly in tracks given away free online and on myriad solo projects by the group's members. (Odd Future, a sprawling bunch with 10 regular members, like a baby Wu-Tang Clan, performs together live but has only assembled tracks for two mixtapes.) Their songs are wildly aggressive and boundlessly creative, the wordplay crazy-clever and surprisingly sharp.
But it's those rhymes -- peppered as they are with rape, kidnapping, murder and torture fantasies, blasphemy, homophobia, you name it -- that's fixated the press and helped elevate this cult rap collective to the level of a Billboard magazine cover in March and last month's in-depth New Yorker feature, and it's the casual, matter-of-fact delivery of them that makes parents and activists apoplectic.
-- "Kill people, burn sh--, f--- school / Odd Future here to steer you to what the f---'s cool / F--- rules, skate life, rape, write, repeat twice" ("Pidgeons")
-- In the song "Splatter," Odd Future's biggest breakout star Tyler the Creator boasts of having sex with "your teen daughter ... always against her will" followed by the same with "this grandmother named Jill."
-- In "French" a business plan is hatched that, for some reason, includes a sexual act with the Virgin Mary.
Hodgy Beats, at 20 he and Tyler are the oldest of the mostly teenage group, spoke to the Sun-Times last week from a tour stop in London. As he and other members have maintained, Odd Future's lyrics, he said, are preposterous artistic expressions rather than reportage or incitement to action.
"Nothing is really serious," the laconic rapper said. "It's just like all the things in our music. It's in the atmosphere, it's in the world, and it's in our lyrics. ... I think it's funny that people flip out about sh-- like that."
PITCHFORK MUSIC FESTIVAL
• 3-10 p.m. July 15, noon-10 p.m. July 16-17
• Union Park, 1501 W. Randolph
• Three-day passes are sold out. Individual tickets for July 17 are sold out, but remain for July 15 and 16: $45, (866) 777-8932, pitchforkmusicfestival.com.
For some, it's not enough to write off songs that mention rape and murder to being humorous or simply "not serious." Several Chicago advocates for gay and women's rights in recent weeks promised to protest before the group's afternoon performance at Chicago's Union Park. But the festival announced Thursday that local organizations, including Between Friends and Rape Victim Advocates, will have "an onsite presence at the festival" in the form of an informational booth in the park.
"When we didn't have a booth at the festival, we were going to stand at the entrance to the Pitchfork festival and hand out 6,000 fans that have messages on them -- one side lists resources for women who might be involved in domestic violence or a violent relationship, the other side a message about violence against women," says Kathy Doherty, executive director of Between Friends, a 25-year-old domestic violence agency. "Now we have a booth and can still give out the fans as well as information there. ... It's not a protest, it's an awareness-raising event."
Odd Future certainly isn't the first music act to terrify the predominately white media with tales of violence and gore, nor will they be the last. The once-hot controversies of N.W.A., Ice-T, 2 Live Crew, even Eminem are now so distant in pop cultural memory as to seem quaint. These Odd Future kids count the social pathologies of the Geto Boys (late-'80s pioneers of a subgenre called "horrorcore") among their inspirations, as well as shock-rock groups from Black Sabbath to Slipknot.
Warning: contains graphic imagery and language.)
"When I was 15, my tape collection consisted of Geto Boys, N.W.A., 2 Live Crew," Mike Reed, a local music promoter and musician who co-owns the Pitchfork festival and oversees its booking, wrote in an e-mail to the Sun-Times. "At the time I thought it to be fun. I'm 37 now and have the maturity to see how silly it is/was. I'm not really offended by Odd Future, but can see why people are.
"I think the factor that they are so young is also very shocking for most white media members. Not sure how much this is an issue in more African-American music press."
In May, a writer for the Gay & Lesbian Alliance Against Defamation, another organization denouncing the group, said youth is no excuse: "Tyler has said in interviews that he is not homophobic, yet his Twitter feed and rhymes are rampant with anti-gay slurs and references. His defense that 'people take things too seriously' or that he's 'just a kid' is inexcusable."
Hodgy Beats, born Gerard Damien Long (not in Chicago, as many online rumors suggest) and raised in New Jersey, answered our questions (more Q&A here) in few words and fragments, clearly young, inexperienced and more comfortable slinging rhymes than speaking to the media. "It's hard being interviewed," he muttered. "I don't like being asked a lot of questions." Reacting to the flurry of attention the group has received, he said, "The media is stupid. Niggers should ignore it." He paused, perhaps considering the context of his statement, and added, "I'm honestly not mad at the media. They help sell records, I guess."
He chalked up the gross-out element of the songs to boyish competition and bravado in the recording studio. "Sometimes it's us seeing who comes up with the sickest sh--, the most disgusting thing they can throw in," he said.
Hodgy Beats and another Odd Future member, Left Brain, also work together under the name MellowHype. The duo's self-released 2010 album "Blackendwhite" will be reissued July 12 by Fat Possum Records with extra tracks, and a new album, "Numbers," is expected later this year.
Warning: contains graphic imagery and language.)
Asked what's the coolest musical sound the duo created for "Numbers," Hodgy Beats said, "A bitch moaning. We got some sounds like a bunch of whores just moaning. It's the most perfect sound you could use. It's crazy. Imagine bobbing your head to bitches moaning. That's what 'Numbers' sounds like."
Near the end of our conversation, Hodgy Beats attempted to explain Odd Future's lyrics in the context of street slang and evolving language. "There's gays running around and sh--, but when you call someone a faggot people think you're talking about a gay person," he said. When I asked for clarification as to how else he might define and employ the word "faggot," the phone went dead. We either lost the overseas connection or he hung up.
Odd Future has one female member, Syd Tha Kid, a lesbian who also seems baffled by any controversy around the group's lyrics. "People just choose to be offended by stuff," she told Billboard. "If they are, then that sucks and I'm sorry, but they don't have to keep listening. Words are words. They don't act out what they say, they just say it."
In an MTV interview, Syd tha Kid recalled a confrontation with her father, who said that her involvement in Odd Future was "slapping a lot of other females in the face." She replied, "That's what I do. I slap bitches, Dad."
The group's members have not made news for any actual violent acts. Tyler the Creator, a k a Tyler Okonma, was arrested in May in Los Angeles on a charge disturbing the peace, then quickly released. Frank Ocean, the group's R&B crooner and most likely crossover star, ranted online in April about being arrested in L.A. for unspecified charges.
Odd Future concert tickets have sold well in recent months as their live shows remain popular. (Though last weekend, the group's set at Scotland's T in the Park festival ended approximately 20 minutes early when fans began throwing bottles at them.) In March, Billboard reported that the group's actual record sales have been "modest," though Tyler the Creator's second solo album, "Goblin," debuted at No. 5 on the magazine's albums chart in mid-May based on first-week sales of 45,000.
Doherty at Between Friends says she simply wants her group's message to have the chance to compete with Odd Future's at the festival. "We certainly believe in free speech, and with that in mind Odd Future has the right to sing and use the lyrics they do. But the rest of us in Chicago have the right to balance that point of view with powerful messages of our own about violence again women," she says.
"We work with kids in schools who often get caught up in lyrics but don't think about what they say. So when we talk about that, then they begin to realize that other people using derogatory language -- calling women and girls 'bitches' and language against gays and lesbians -- can be presented as fun and not serious, but it really has a domino effect ... and doesn't send the right message about how we like to see people talk about each other."
• NPR: "Why You Should Listen to the Rap Group Odd Future, Even Though It's Hard"
• Village Voice: "On Odd Future, Rape and Murder, and Why We Sometimes Like the Things That Repel Us"
• New Yorker: long-read about Odd Future and the whereabouts of Earl Sweatshirt and their follow-up
• Complex: More on the mystery of Earl Sweatshirt here and here
• Irish Times: Last week's Tyler the Creator interview
• Pitchfork: Hodgy Beats interview from June