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Pitchfork Music Festival opens ... sounding pretty folkie

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Bright sun, water bottles, brooding singer-songwriters -- this must be the sixth Pitchfork Music Festival. The annual hootenanny is now under way in Chicago's Union Park ... and it sounds like a hootenanny. The fest opened Friday afternoon with two fine strummers that made the venue sound more like a folk festival than the go-to shopping mall of indie rock.

Sharon Van Etten had the daunting job of not just kicking off the afternoon's music but doing so by squinting and singing directly into the July sun. Van Etten warbled her shy solo tunes. The crowd gathered. A warm-up indeed.

But it was the Tallest Man on Earth, a k a Kristian Matsson, who brought the first real musical heat. Skinny, scruffy, charging boldly around the stage with his small-body acoustic guitar, Matsson played some fine folk songs. Opening with the title track to his new CD "The Wild Hunt" and strumming hard through to "King of Spain," Matsson growled and howled through a set of easy chords and pastoral lyrics in the tradition of America's best traditional music. Which is all the more impressive since he's here from Sweden. Small wonder he was so enthusiastically received at the Sasquatch Music Festival earlier.

This weekend each year I'm often instead at the Woody Guthrie Folk Festival. Both Van Etten and Matsson could swing hard on the folk fest circuit. The fact that they are welcomed so warmly in the heart of indie rock -- Matsson numerous times thanked the crowd "for being so lovely" -- hopefully is a pleasing portent for the "genre."

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This page contains a single entry by Thomas Conner published on July 16, 2010 4:40 PM.

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