Sundown slowed down with Broken Social Scene, a sprawling Toronto collective with a few Chicago roots. This band makes a lovely sound, even if the songs don't always gel behind the chiming guitars and palpitating drums.
Thirty-one musicians appear on the band's latest CD, "Forgiveness Rock Record," recorded in Chicago under the guidance of John McEntire from Tortoise and the Sea & Cake. McEntire himself played a second drum set on stage Friday night, adding needed extra heft to gauzy arrangements that tend to sag if not tended carefully.
This loosey-goosey ensemble, which tends to trade instruments among each other, was most engaging when they got the pulse going, rollicking through "Texico Bitches" and the rumbling furnace of "Cause = Time," which featured five guitars. The set ended in a see-sawing riff with strings that evoked the most intense Poi Dog Pondering drones.
Alas, the evening wrapped with Modest Mouse, a rodent of a band whose major-label indie rock (work that phrase out for a while) deserves the restraint implied by its name.
Now that the trinket of ex-Smiths guitarist Johnny Marr is being worn by another indie-rock sweetheart (the Cribs) -- though new guitarist Jim Fairchild did a helluva job filling those shoes, particularly during "Satellite Skin" -- Modest Mouse is just a tuneless junkyard of discarded song parts. Frontman and the band's sole constant Isaac Brock is one of the most difficult singers to enjoy in rock and roll, and when he picks up that banjo for "The Devil's Workday" and sings about hanging himself for treason, well, hey, we got some rope.
The God-awful funk beats of "Education," the stand-up bass -- they're just a dissonant Dave Matthews Band, and the neo-hippies in the crowd were twirling in their calico prints to prove it.