A conversation with Atom Egoyan

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Atom Egoyan must be a wonderful teacher. (Photo by Roger Ebert)
 
 
Egoyan on inspiration
 

 
 
Egoyan on erotic scenes
 

  
 
Egoyan on Amanda Seyfried
 

 
 
Egoyan on Liam Neeson
 

 
 
Egoyan on Ingmar Bergman and the essence of cinema
 

 
 
Egoyan on preconceptions about actors
 

 
 
Egoyan on film versus video as a medium
 

 
 
Egoyan on the "tipping point"
 

 
 
Egoyan on why we're uneasy seeing famous stars in sex scenes.
 

 
 

 
 


6 Comments

Roger -

Do you have a link to the article Atom thinks you might have written re: film v. video?

Dear Roger;

I have now subscribed to your YouTube posts. This will allow me to watch them on my HDTV with internet TV device.

Please keep this excellent stuff coming.

isn't the movie a remake of Anne Fontaine's 2003 movie "Nathalie"?

Ebert: Yeah, think I said so in the credits.

Stanley Egoyan was just an ordinary man, until he was exposed to the raging force of an Atomic Bomb! In a blinding flash of light and heat, the the nuclear blast changed his molecular structure, giving him the powers of the Atom. And that is how regular citizen Stanley Egoyan became... Atom Egoyan! Super strength! Super speed! X-ray vision! The ability to fly! Criminals have fear, Atom Egoyan is here!

Watched the movie, then read the review, then came hear to finad and listen to Adam speaking about film. A 3-course repast. Quite the set of treats.

Well, I came simply to comment on the wonderful videos- much appreciated by this film fan.I did, however want to laugh at Raymond Ogilvie's comment. He obviously narrowly missed his calling as Stan Lee.

Roger, as always, your presence in the film world is as steadying and erudite as ever, and in this video, you can see Atom responding to your steadying presence. It would seem that, like a good director yourself, watching you recording Atom would allow him to respond in a more complete and honest way, being in the presence of someone who "gets it". I for one have a great appreciation for being present in and being allowed into such a flowing dialog between two obviously studied observers of this art form.

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